Eric Stanton

From wipipedia.org
(Difference between revisions)
Jump to: navigation, search


(External links)
m (Early life and career: De-link redlink)
 
(7 intermediate revisions by 4 users not shown)
Line 1: Line 1:
'''Eric Stanton''' (September 30 1926 - March 17 1999) was a 20th century [[bondage artist]]. Eric Stanton was a pseudonym; his real name was Ernest Stanzoni.
+
'''Eric Stanton''' (September 30, 1926 March 17, 1999; born '''Ernest Stanzoni''') was an American bondage and fetish illustrator, cartoonist, and comic-book artist.
Unlike some other bondage artists, Stanton generally depicted [[female domination|female dominant]] bondage of men by women.
+
  
He is said to have shared a studio with comics legend Steve Ditko in the period 1958 to 1966.
+
Although the majority of his work depicted female [[domination|dominance]] scenarios, he also produced work showing the inverse. Stanton also incorporated bisexual, homosexual and transgender imagery into some of his later work.
  
== See also ==
+
==Biography==
 +
===Early life and career===
 +
Stanton began his career in 1947 at [[Irving Klaw]]'s ''Movie Star News'' company in New York City, gaining employment by boasting he could draw better than any of the artists then working for Klaw. He afterwarded attended the School of Visual Arts ( a cartoonists and illustrators School) , under Batman inker Jerry Robinson and others. One classmate was future Spider-Man co-creator Steve Ditko, with whom from 1958 to 1966 or 1968 (accounts differ), Stanton shared a Manhattan studio at 43rd Street and Eighth Avenue. Some of Stanton's work during this period shows heavy Ditko influence (see below), although Ditko has denied contributing to Stanton's art. [http://www.ditko.comics.org/ditko/crea/crerstan.html]
  
 +
Stanton, in a 1988 interview with comics historian Greg Theakston, recalled that though his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together [and] I added a few ideas. But the whole thing was created by Steve on his own. ... I think I added the business about the webs coming out of his hands".
 +
 +
===Later career===
 +
After Klaw died in 1966, Stanton supported himself via self-publishing and distributing his work to a quasi-underground network of subcribers and patrons. His mimeographed/photocopied "Stantoons" series continued to his death in 1999 and featured many of his most well-known post-Klaw concepts such as [[Blunder Broad]] (a sexy parody of Wonder Woman) and the Princkazons.
 +
 +
==Legacy==
 +
In addition to books about his work, Stanton's art was reprinted in the 1990s in Fantagraphics Books' ''Eros Comix'' comic book ''Tops and Bottoms'', issues subtitlesd "Bound Beauty" (#1), "Lady in Charge" (#2), "Broken Engagement" (#3), "Broken Engagement 2" (#4), as well as in that publisher's ''Bizarre Comix'' #3 and ''Confidential TV''.
 +
 +
=== Blunder Broad ===
 +
Stanton created ''Blunder Broad'' in the 1970s with writer Turk Winter, for use in a great number of pornographic BDSM stories, published over the years in black and white. A parody of Wonder Woman, Blunder Broad is an inept superheroine who continually fails in her missions and is invariably raped and tortured by her enemies, who include a lesbian supervillainess variably called Leopard Lady, Pussycat Galore, or Cheetah, and her male sidekick Count Dastardly. Blunder Broad can be deprived of her superstrength when subjected to cunnilingus.
 +
 +
=== Princkazons ===
 +
With "Lady Princker", Stanton and Shaltis (as well as Alan Throne and Winter) created the Princkazons storyline in which women around the world grew female penises, or "princks". These women also grew taller and stronger than men and began dominating and humiliating the men in public, including facesitting.
 +
 +
== See also ==
 
* [[Fetish artist]]
 
* [[Fetish artist]]
 
* [[Taschen]]
 
* [[Taschen]]
Line 17: Line 33:
  
 
==External links ==
 
==External links ==
* [http://www.geocities.com/elvis_paris/stanton/ Eric Stanton bibiliography]
+
* [http://www.geocities.com/elvis_paris/stanton/ Eric Stanton bibliography]
 
* [http://www.ditko.comics.org/ditko/crea/crerstan.html Stanton and Ditko cite]
 
* [http://www.ditko.comics.org/ditko/crea/crerstan.html Stanton and Ditko cite]
* http://groups.msn.com/MMPLibrary/ericstanton1.msnw
+
* [http://groups.msn.com/MMPLibrary/ericstanton1.msnw Eric Stanton Page at MMPLIbrary]
[[Category:art]]
+
 
[[Category:people]]
+
{{SM201|Eric_Stanton}}
 +
[[Category:art|Stanton, Eric]]
 +
[[Category:people|Stanton, Eric]]

Latest revision as of 05:18, 24 April 2019

Eric Stanton (September 30, 1926 – March 17, 1999; born Ernest Stanzoni) was an American bondage and fetish illustrator, cartoonist, and comic-book artist.

Although the majority of his work depicted female dominance scenarios, he also produced work showing the inverse. Stanton also incorporated bisexual, homosexual and transgender imagery into some of his later work.

Contents

[edit] Biography

[edit] Early life and career

Stanton began his career in 1947 at Irving Klaw's Movie Star News company in New York City, gaining employment by boasting he could draw better than any of the artists then working for Klaw. He afterwarded attended the School of Visual Arts ( a cartoonists and illustrators School) , under Batman inker Jerry Robinson and others. One classmate was future Spider-Man co-creator Steve Ditko, with whom from 1958 to 1966 or 1968 (accounts differ), Stanton shared a Manhattan studio at 43rd Street and Eighth Avenue. Some of Stanton's work during this period shows heavy Ditko influence (see below), although Ditko has denied contributing to Stanton's art. [1]

Stanton, in a 1988 interview with comics historian Greg Theakston, recalled that though his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together [and] I added a few ideas. But the whole thing was created by Steve on his own. ... I think I added the business about the webs coming out of his hands".

[edit] Later career

After Klaw died in 1966, Stanton supported himself via self-publishing and distributing his work to a quasi-underground network of subcribers and patrons. His mimeographed/photocopied "Stantoons" series continued to his death in 1999 and featured many of his most well-known post-Klaw concepts such as Blunder Broad (a sexy parody of Wonder Woman) and the Princkazons.

[edit] Legacy

In addition to books about his work, Stanton's art was reprinted in the 1990s in Fantagraphics Books' Eros Comix comic book Tops and Bottoms, issues subtitlesd "Bound Beauty" (#1), "Lady in Charge" (#2), "Broken Engagement" (#3), "Broken Engagement 2" (#4), as well as in that publisher's Bizarre Comix #3 and Confidential TV.

[edit] Blunder Broad

Stanton created Blunder Broad in the 1970s with writer Turk Winter, for use in a great number of pornographic BDSM stories, published over the years in black and white. A parody of Wonder Woman, Blunder Broad is an inept superheroine who continually fails in her missions and is invariably raped and tortured by her enemies, who include a lesbian supervillainess variably called Leopard Lady, Pussycat Galore, or Cheetah, and her male sidekick Count Dastardly. Blunder Broad can be deprived of her superstrength when subjected to cunnilingus.

[edit] Princkazons

With "Lady Princker", Stanton and Shaltis (as well as Alan Throne and Winter) created the Princkazons storyline in which women around the world grew female penises, or "princks". These women also grew taller and stronger than men and began dominating and humiliating the men in public, including facesitting.

[edit] See also

[edit] References and further reading

[edit] External links

This page uses content from SM-201; the original article can be viewed here.
Personal tools
Namespaces

Variants
Actions
Navigation
Tools