Gorean slave positions
This is a list of some of the positions for Gorean slaves (kajirae) described in the Chronicles of Gor series of science fiction books written by John Norman.
Note that there is no absolute standardization of such positions across the planet Gor, and some of the positions have several slight variants, due to regional differences, or due to the individual preferences of each master, or due to adjusting to the particular circumstances in which a position is performed. There are also variations in the names used for some positions, and many positions are actually relatively infrequently referred to by name in the Gor books. However, the basic essential features of the Nadu position, the Female Submission position, and the common Obeisance position seem to remain the same everywhere, and all three of these positions (however they are referred to) play a somewhat prominent role in Gorean culture. The Nadu position is a constant accompaniment of being a kajira "of interest to men", while entering the Female Submission position, or performing a full Obeisance, can be legally equivalent to a formal admission of captive or slave status.
| Pleasure Slave or Nadu | One of the most often used of all of the Gorean slave positions, and one of the first that a kajira typically learns. The word Nadu is a command meaning "kneel" in the Gorean language, and can give its name to the position. It is also known as the position "of the pleasure slave" or "of a woman who is of interest to men" or "that of the female slave who is used ... for the pleasure of men", and is referred to as "that most elegant and helpless position in which men may place a woman". In this position, the kajira kneels back, sitting on her upturned heels (the tops of her toes on the floor), with her back straight, shoulders thrown back, her chest out, belly in, and her head up. Her knees are open, widely spread. By default, she averts her eyes to the floor, and her hands rest upon her thighs, palms down, although there are variations. Sometimes a kajira places her hands palms upwards on her thighs in humble supplication. Usually the head is held up (with chin high) so that the kajira's beauty may be fully exposed to view, but in some circumstances the head may be lowered to express deference and submission. Also, in some cities on Gor, the kajira usually holds her hands crossed behind her, instead of on her thighs. (This also happens if a kajira is commanded to assume the pleasure slave position when her hands are bound behind her.) In yet another variation, the kajira clasps her hands together behind her head, elbows back, and throws her head back (this is the kneeling version of the "Display" position discussed below, and is called "a common position for slave assessment" in the Gor books).
 In the Gor books, the position can be invoked by the commands "Nadu!" or "Position!", or by the master extending and spreading apart the index and middle fingers of his hand, and pointing down to a spot where such kneeling is commanded to occur. Also, whenever a kajira first encounters a free man in various contexts (such as when her owner re-enters the house, or she is addressed by a man in the street, etc.) she is generally required to assume the Nadu position (or in some cases the common obeisance position, depending on circumstances). Kajirae tend to develop a quasi-reflex reaction of semi-automatically kneeling whenever they hear themselves being addressed by the voice of a man whom they have not been previously recently interacting with, so that kajirae sometimes have to be specifically instructed not to kneel, if the free man does not desire this.  In the photo at right, a model is shown kneeling in a pose similar to the Gorean pleasure slave position, but with more relaxed posture in some respects (in strict nadu position, the torso would have to be fully straight — not leaning slightly forward and not twisted to one side — and the knees a little more widely spread). In some on-line Gorean fan-art, a kajira is shown kneeling with her torso forward above her knees, instead of back on her heels. In the Gor books, this is known as "high kneeling" or "kneeling up", and is not the same as the pleasure slave position, and is done much less often than the basic pleasure slave position. |
| Tower Slave | (Also called "the position of the house slave" or "of the serving slave".) This is another variant of the pleasure slave position, in which the kajira kneels the same way, but with her knees modestly together. If the hands are not occupied with some task, then typically they rest loosely in front, with wrists crossed. This position is associated with slaves whose duties do not prominently include sexual services; also, pleasure slaves might kneel in this position before free women. Gorean free women commonly use a similar position to simply sit on the floor or the ground (without expressing any submission), but in much less revealing garments than kajirae, and never with wrists crossed. |
| Lesha, or Leash, or Bracelets | The Gorean word Lesha translates as "leash". In this position, the kajira usually remains either standing or kneeling (depending upon her previous posture). She holds her chin up, her back and shoulders straight, and her head turned to the left, so that a leash may be attached to her collar. She also holds her hands behind the small of her back, with her wrists about two inches apart, in a position to be locked into chained slave bracelets. The commands "Leash!" and "Bracelets!" are essentially equivalent (the difference being in what the master has immediately in mind, rather than in the position to be assumed by the kajira). The command "Collar!" also invokes a similar position, but the kajira approaches the master closely (and stands if he is standing), so that he may inspect her collar and/or read what is written on it without effort.
A leash is usually attached to the front of a slave collar, since Gorean masters are always very careful never to put excessive pressure on the fragile front of the throat (windpipe). Attaching the leash to the front of the kajira's collar also fits in with the common Gorean practice of "heeling" (i.e. the kajira following the master by walking along somewhat behind him and a little to the side). |
| Sula (i.e. supine) | In this position, a kajira lays upon her back, her hands at her sides, palms upward, her legs widely spread, to await her Master's pleasure.
Another common supine position in the Gor books is similar to that commanded by "Sula!" as described above, but the kajira lifts and bends one knee (instead of parting her legs). |
| Bara (belly) | In response to the command "Bara!", the kajira falls to her stomach, with her head down to the floor and turned to the left, crosses her wrists behind her back, and similarly crosses her ankles, her legs straight, in preparation for binding. (This is the "standard binding position" for a kajira lying prone.)
Some have speculated that the word Bara is the Gorean-language word for "belly"; but when Belly is used as a noun in commands in the Gor books, this indicates that the kajira should lie prone (on her belly) without signifying any one exact position across all its uses; and when Belly is used as a verb in commands in the Gor books, it means that the kajira should crawl forward without lifting her belly from the ground (see alternative obeisance below). One common belly position is for the kajira to lie on her stomach with her hands at her sides and the palms of her hands facing upwards; her head is often turned to the left. Also, in some contexts if the master holds his hand horizontally with fingers spread and palm down, he is commanding the kajira to lie on her belly with both legs and arms spread widely (prone spread-eagle). |
| Obeisance | In the common obeisance position, the kajira goes down on her hands and knees (her elbows and forearms on the floor) with her head held down. An alternative position is for the kajira to lie on her stomach (i.e. fully prone on the floor). In either case, her hands are beside her head, palms on the floor, and her hair often falls on the floor. The purpose of the position can be completed by the kajira crawling forward (or if prone, "bellying" forward) to the master, and turning her head and placing her cheek against his feet, then kissing them lightly in a symbolic gesture of love and submission (or often she simply licks and kisses the master's feet). Sometimes the kajira is ordered to take the master's right foot and place it gently upon her neck or head.
In other contexts, the initial common obeisance position can transition directly into either the tower slave position or the pleasure slave position (depending on what kind of slave a kajira is, and whether she is kneeling before free women or before free men). |
| The "posture of Female Submission" | Also called "the submission of the captive female" or "the submission of the girl to her new master" (and often invoked by the simple command "Submit!"). In this position the woman kneels back sitting on her upturned heels, with her torso vertical and her arms extended forward and slightly raised, crossed at the wrists (which are thus ready to be bound together), and her head down between the arms, lowered in submission. In Gorean culture, this is the classic position by which a woman who has been captured in war etc. submits herself as a captive to her captor, or a kajira submits herself as a slave to a new owner (there is not much practical difference between the two situations, since the rights of a Gorean captor over his captive are much the same as the rights of a master over his owned slave). According to the traditional codes of the Gorean warrior caste, if a woman submits herself to a warrior, he must then and there on the spot either take her as his own slave or kill her. The posture is often accompanied by a verbal formula, which can be rather complex (such as "I, once XX of YY, herewith submit myself, completely and totally in all things, to AA of BB, as his girl, his abject slave, an article of his property. At his hands I accept my life and my name, declaring myself his to do with as he pleases. I am yours, Master.") or relatively simple (such as "I declare myself a slave, and I submit myself to you as my master"), or merely "I submit".
Kajirae often use a similar position to serve beverages or hand over small items, except that the wrists are not crossed, and the cup or bowl or item to be delivered is held in the hands; also, the knees will be widely spread if the kajira is a pleasure slave serving free men (referred to as "the position of serving paga or wine to a Gorean male"), which is less often the case when a woman submits to a captor or new owner. Sometimes among on-line Gorean fandom, it is said that the arms are held vertically above the head, but this is not correct to the descriptions in Norman's books. |
| Leading position | The kajira stands a little behind and usually to the left of the master, bending deeply at the waist, with her hair (if free flowing) falling forward. She places her hands behind her (if they are not already bound or braceleted) and puts the side of her head to the master's hip, so that he might lead her and control her movements easily, with his left hand gripping her hair, while they walk a relatively short distance. This leaves the master's right hand free.
The master can silently command the kajira to assume leading position by holding his left hand at his hip somewhat opened (i.e. ready to grasp), or opening and closing it there. |
| Display | Many positions and movements can be used to display a kajira's beauty (extending to elaborately choreographed "slave paces" or "floor movements"). In one common position mainly intended for this purpose, the kajira stands with her hands clasped behind her head, head thrown back, and her back and body arched backwards. If her feet are together, then her knees are slightly bent and (presumably) her toes turned out, to help in holding the position. |
| "Kneeling to the whip" | There are a number of whipping positions on Gor, but most involve the use of bindings or restraints, or the kajira holding on tightly to a fixed object. If no such external aids are to be used, the kajira is ordered to "Kneel to the whip". She then goes down on all fours with her head down (similar to the common obeisance position), but with her back bent (so that it is fully exposed) and her wrists crossed beneath her body. Generally she is stripped to at least the waist, and her hair (if free flowing) must be to the side, so that her back might be utterly exposed to the whip. This is also known as "the position of the slave girl who is to be punished". |
| (usage) | The kajira kneels with her head to the floor and her hands clasped firmly behind her neck, so that her rear is lifted in preparation for convenient sexual use by the Master. This position is commanded on some occasions when the master is not concerned with the degree of pleasure felt by the kajira (something which Gorean masters are actually often quite interested in). In the Gor books, this is not given a name, or invoked by any brief one- or two-word command (though it is referred to as a "common slave position"). |
| (sitting) | In the Gor books, kajirae kneel more often than they sit. Low benches are found in some vehicles and special-purpose areas, but are not common inside ordinary private dwellings in the Gorean cities, while in Gorean culture true chairs (with backs and somewhat elevated seats) are rare except as thrones of office reserved for high-ranking free persons. However, one approved sitting position specific to kajirae is for a kajira to sit on the floor with her legs also on the floor extended in front of her, and her upper body leaning back and propped up by her arms. In this position, her hands (palms on the floor) are held in place behind her body by her own weight, while the front of her body is open and vulnerable. |
| "Slave Lips" | When this command is given, the kajira turns her head up to the Master, her lips pursed in a sensual kissing position. Her lips must remain puckered in this way until she is granted the kiss of a Master. |
| "She-quadruped" | When ordered to serve in "the discipline of the she-quadruped", the kajira performs her duties mainly upon hands and knees, without the benefit of the use of her hands. In this mode she may not rise to her feet, may not ordinarily speak (other than to whimper once for "yes" and twice for "no" in response to questions), and may use only her mouth and teeth to grasp and manipulate objects. This "modality" (as Norman calls it) would generally involve multiple postures, but the position most characteristically associated with it seems to be the kajira down on her hands and knees, but with her elbows off the floor (as opposed to the Obeisance and Kneeling to the Whip positions) — "the attitude of the she-quadruped". (Note that in the Gor books, "she-sleen" is an insulting epithet, not the name of a position.) |
| Walk well | It is not really a separate position as such, but through training and/or subconscious attitudes formed by the experience of being a kajira, many kajirae walk in a distinctive uninhibited manner, with head held high, shoulders back, back straight, and hips swaying — "walking freely... attractively gracefully... showing your joy in your bondage and womanhood". If she suspects that free men are watching her, her eyes are often downcast. If she is commanded to "Walk well!", she knows that her movements are on display and being closely scrutinized. (The command "Posture!" can also be used to order a kajira to pay special attention to maintaining a beautiful posture in standing or walking.) It is said that a kajira walks with pride — not the pride of a woman who thinks she is the equal of a man, but rather the pride of a woman who knows that no other woman is equal to herself. (She knows that "strong men" have found her "beautiful enough, and exciting enough" to choose to "put her to their service and pleasure".) Many of the movements of kajirae display a kind of all-pervading sensuous femininity, often in somewhat subtle form (such as a hip being turned out, or a foot being pointed). |
| "the basic position of the slave dance" | There are a number of "initial postures of... slave dances", which serve as the starting point of solo kajira dancing in various contexts. The most common and widely-known such beginning position is for the kajira to stand with her knees flexed, her ribcage lifted, and her arms raised so that her hands are above her head with the backs of the wrists touching (i.e. the palms facing outward). |
| (wall) | This is another position which, though it occurs in the Gor books, is not given a name there, or invoked by any brief command. A woman stands facing a wall, more than an arm's-length distance away from it, so that to place the palms of her hands on the wall, she has to lean forward, and her hands are thus held against the wall by her own weight. Also, her feet are very widely separated (even uncomfortably so). This position is occasionally used with newly captive women, or kajirae encountered under suspicious circumstances (if there is a convenient wall), in order to allow a quick determination of whether she is a threat, and to make it easier to handle the situation if anything problematic is found. A variant of this position — where the feet are not widely parted — does not leave the woman quite as helpless, but makes it more practical to lift her feet one at a time and check whether anything is concealed there (taped to her instep, etc.). |
| (running) | In the Gor books, some kajirae (probably a distinct minority of those on Gor) are specially trained to run in a stylized manner considered particularly appropriate to slaves ("more of a dancer's motion than a true run"). The kajira runs by taking short rapid steps, with her legs almost straight, her feet hardly leaving the floor. As she moves, her back is straight, her head is turned to the left, and her arms are at her sides, her palms facing outward at a 45 degree angle to her body. Not a basic common Gorean slave position. |
| Sula-Ki, or alternative Sula | This position is almost identical to the Sula position, except that once the kajira has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning the master with her body, encouraging her sexual use by him. This was invented by Gorean fandom (from the words Sula "supine" and Ki "not" or negative), and is not found in the Gor books, but it does have some similarity to the occasions in the books when a kajira lifts her body up towards her master (though this is usually done spontaneously by the kajira, not on command) and/or to the "Gorean love bow" or arched back positions (though in the books the kajira is placed into such positions by the master). |
Note that positions which depend on the use of external bindings and restraints, or which the kajira is usually placed into by the master, were omitted from the above list.
In Gorean culture, kajirae who have received more than a modicum of training are expected to know most of the positions listed above (excluding those in the last two categories), and this provides a convenient basic repertoire for the master to draw on in order to further his goals of controlling a kajira, making her slave status clear to her, and obtaining the highest degree of service and pleasure from her. However, this listing does not represent any limit on the creativity or absolute authority of the Gorean master, and he can order her to assume any position (whether customary or not).
Some of the above positions (including nadu) are also used by kajiri (male slaves), as described in book 14 of the Gor series ("Fighting Slave", which contains the most detail on male slavery). However, there are far fewer kajiri than kajirae (female slaves) on Gor, and the majority of kajiri are used for hard labor on work-gangs out of sight of most free people (while by contrast kajirae are a common sight in Gorean cities), so that slave positions are stereotypically associated with kajirae.
A non-slave Gorean position is sitting on the floor or ground cross-legged, which is reserved for free men, and sometimes called "the position of the warrior". Also, if a man has occasion to carry a kajira (because she is bound or unconscious, etc.), he generally does so with her deeply-bent waist resting on one of his shoulders and her head dangling down at his rear (while a free woman should theoretically be carried in a more respectful way).
See also
External links
- Artistic impressions of Gorean slave positions (Annasart.com) - Not all the illustrations are faithful to the descriptions in Norman's books, but the depiction of Nadu is good.
- This image linked from this page also contains a good depiction of Nadu.
| This page uses content from SM-201; the original article can be viewed here. |
